Spectres of War in Cannibal Holocaust

Calum Waddell · 2016

This chapter talks about Ruggero Deodato's <italicCannibal Holocaust</italic as the first of the Italian flesh-eating films since <italicMan from Deep River</italic that was shot in the same area of Leticia, Columbia in which its story is set.

Tür:
Kitap Bölümü
Yazar:
Calum Waddell
Yayın yılı:
2016
Yayıncı:
Liverpool University Press
Dil:
en

This chapter talks about Ruggero Deodato's <italic>Cannibal Holocaust</italic> as the first of the Italian flesh-eating films since <italic>Man from Deep River</italic> that was shot in the same area of Leticia, Columbia in which its story is set. It mentions <italic>Cannibal Ferox</italic>, a film that drew on cocaine trafficking and was inspired by the actual narcotics trade within Colombia and specifically Leticia's role as a trading port. It also examines the US theatrical poster for <italic>Cannibal Holocaust</italic>, which boasted that the production was actually filmed in the Amazon jungles. The chapter analyzes the use of a legitimate location with illegitimate representations of their inhabitants that allowed <italic>Cannibal Holocaust</italic> to ground its own fake-documentary in a neorealist sense. It discusses how <italic>Cannibal Holocaust</italic> touches on thematic ideas that would have been better suited to a Southeast Asian locale.

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Olaylar: Holoköst (Shoah)

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This chapter talks about Ruggero Deodato's <italicCannibal Holocaust</italic as the first of the Italian flesh-eating films since <italicMan from Deep River</italic that was shot in the same area of Leticia, Columbia in which its story is set.
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Calum Waddell